By Martin Vöhler,Dirck Linck

while Aristotle had restricted the evocation of worry and sympathy strictly to the cathartic impression of tragedy, a dissolution could be saw of the limits of innovations of catharsis following on from Bernays, Freud and Nietzsche, because the percentages and bounds of catharsis as an emotional abreaction are redrawn. What resulted in the holiday with the Aristotelian culture, what alterations of catharsis should be saw in smooth theories of artwork and in glossy art?

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