By Erman Kaplama

Erman Kaplama explores the primary of transition (Übergang) from metaphysics to physics constructed by means of Kant in his unfinished magnum opus, Opus Postumum. Drawing at the Heraclitean logos and Kant’s notions of sense-intuition (Anschauung) and reflective judgment, Kaplama translates transition as a classy precept. He revises the belief of nature (phusis) because the precept of movement touching on Heraclitus’ cosmology in addition to Heidegger’s and Nietzsche’s lectures at the pre-Socratics. Kaplama compares the Kantian chic and Nietzschean Dionysian as aesthetic theories representing the transition from the practical to supersensible and as cosmological theories that give some thought to human nature (ethos) as an extension of nature. In mild of such Nietzschean notions because the everlasting recurrence and should to energy, the Dionysian is proven to set off the transition in which nature and paintings are redefined. ultimately, Cosmological Aesthetics employs the foundations of transition and movement to investigate Van Gogh’s Starry Night in an excursus.

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